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Queen Vashti refuses to appear for the King, Illustration from the Dore Bible, 1866

Queen Vashti refuses to appear for the King, Illustration from the Dore Bible, 1866


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Queen Vashti refuses to appear for the King, Illustration from the Dore Bible, 1866

3665414 Queen Vashti refuses to appear for the King, Illustration from the Dore Bible, 1866 by Dore, Gustave (1832-83); (add.info.: Queen Vashti refuses to appear for the King, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (1832-1883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful. Vashti, Queen of Persia and first wife of Persian King Ahasuerus, was banished for her refusal to appear at the king's banquet to show her beauty as the king wished, and Esther was chosen to succeed her as queen.); Universal History Archive/UIG

Media ID 38285750

© Universal History Archive/UIG / Bridgeman Images

1866 Appearance Authority Bible (scene) Bible De Tours Dore Bible Dore Gustave (1832 1883) Gustave Dore La Grande Bible De Tours Refusing Religious Illustration Traditional Culture Vulgate Bible


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EDITORS COMMENTS
This illustration from the Dore Bible, created by the talented French artist Gustave Dore in 1866, depicts a powerful moment in biblical history - Queen Vashti's bold refusal to appear before King Ahasuerus. In this scene, we witness the queen standing firm in her decision to defy the king's command to display her beauty at his banquet. Vashti's act of defiance ultimately led to her banishment and paved the way for Esther to become queen. This dramatic turn of events highlights themes of power dynamics, gender roles, and courage in the face of authority. Dore's intricate wood engraving captures the tension and emotion of this pivotal moment with striking detail and depth. The ornate architecture and richly dressed figures add a sense of grandeur to the scene, while Vashti herself stands out as a symbol of strength and independence. As we gaze upon this timeless artwork, we are reminded of the enduring significance of these ancient stories and their relevance to contemporary discussions on identity, agency, and justice. Queen Vashti's refusal serves as a powerful reminder that sometimes it takes great courage to stand up for what is right, even in the face of immense pressure.

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