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View of the altar and the Transparente, c. 1720 (photo)
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View of the altar and the Transparente, c. 1720 (photo)
XIR171368 View of the altar and the Transparente, c.1720 (photo) by Tome, Narciso (1690-1750); Toledo Cathedral, Castilla y Leon, Spain; (add.info.: designed to allow light to enter from the ceiling and illuminate the tabernacle; Churrigueresque style, named after Jose Benito de Churriguera (1665-1725); ); Spanish, out of copyright
Media ID 22600996
© Bridgeman Images
Apostle Apostles Disciple Disciples Folly Gilded Gilt Last Supper Lavish Opulent Over The Top Rays Of Light Sculpted Volute
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EDITORS COMMENTS
This print captures the breathtaking view of the altar and the Transparente, dating back to around 1720. Located in the Toledo Cathedral in Castilla y Leon, Spain, this magnificent piece of art is a true testament to the Churrigueresque style. Designed by Narciso Tome (1690-1750), this masterpiece was created with the intention of allowing natural light to enter from above and illuminate the tabernacle. The intricate details and ornate decorations showcase an opulent display of baroque elements. As you gaze upon this image, you are immediately drawn to the lavish sculptures depicting angels, apostles, and disciples surrounding a gilded throne. The sculpted saints and Virgin Mary add an ethereal touch to this already awe-inspiring scene. The sheer grandeur of this artwork is evident through its use of marble, gilt accents, and rays of light that seemingly emanate from every corner. It's as if you have stepped into a realm where beauty knows no bounds. The composition also includes references to biblical events such as The Last Supper depicted in bronze relief. Every volute and detail has been meticulously crafted with utmost precision. This print truly encapsulates not only the skillful craftsmanship but also serves as a reminder of our rich artistic heritage. It allows us to appreciate how art can transport us into another world filled with wonderment and devotion.
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