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Two harnesses, seen three quarters, one from the front and the other from the back
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Two harnesses, seen three quarters, one from the front and the other from the back
JLJ4598661 Two harnesses, seen three quarters, one from the front and the other from the back. Drawing by Pisano Antonio di Puccio dit Pisanello (1395-1455), 15th century. Brown ink, brown wash, grey wash, black stone, feather, white flashes. Dim: 0.20 X 0.16m. Paris, Musee Du Louvre by Pisanello, Antonio (1395-1455); Louvre, Paris, France; (add.info.: Two harnesses, seen three quarters, one from the front and the other from the back. Drawing by Pisano Antonio di Puccio dit Pisanello (1395-1455), 15th century. Brown ink, brown wash, grey wash, black stone, feather, white flashes. Dim: 0.20 X 0.16m. Paris, Musee Du Louvre); Photo ePhoto Josse; Italian, out of copyright
Media ID 23331060
© Josse / Bridgeman Images
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EDITORS COMMENTS
This print showcases two intricately detailed harnesses, each seen from a unique perspective. The drawing was created by Pisano Antonio di Puccio dit Pisanello in the 15th century and is now housed in the Musee Du Louvre in Paris. The artist's skill is evident in the use of various materials such as brown ink, brown wash, grey wash, black stone, feather, and white flashes to bring these harnesses to life. With dimensions of 0.20 X 0.16m, this artwork captures the essence of Renaissance art. The image depicts one harness viewed from the front and another from the back, both shown at three-quarters angle. The level of detail is remarkable; every buckle and strap meticulously rendered with precision. These horse harnesses serve as a testament to Pisanello's ability to capture not only human subjects but also animals with equal mastery. They represent an era when horses played a vital role in transportation and were essential companions for their riders. This print offers viewers a glimpse into history - an opportunity to appreciate both artistic talent and equestrian culture during the quattrocento period. It serves as a reminder that art has always been intertwined with our relationship with nature and animals. Overall, this piece invites us to admire Pisanello's craftsmanship while reflecting on our connection with horses throughout time.
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