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The Ramparts of Gods House, 1890 (oil on canvas)

The Ramparts of Gods House, 1890 (oil on canvas)


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The Ramparts of Gods House, 1890 (oil on canvas)

659011 The Ramparts of Gods House, 1890 (oil on canvas) by Strudwick, John Melhuish (1849-1937); 61x85.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Media ID 23673610

© Christie's Images / Bridgeman Images

122011upload A Lot Of People Active Activity After Life Afterlife Ascending Assist Assistance Assisting Astronomical Bather Bathing Bosom Breast Busy Celestial Chain Chains Climbing Crowns Divine Fantasy Flower Crown Full Moon Harp Harpist Heaven Heavenly Help Helping Holding Hands Large Group Life After Death Looking Looking Up Lute Metallic Moon Outer Garment Outer Space Paradise Physical Activity Pre Raphaelism Pre Raphaelite Art Pre Raphaelite Brotherhood Rampart Raphaelite Rescue Residence Robe Roses Skin Space Star Stars Touching Using Hands Victorian Art Virility Virtue Virtuous Walker Wing Winged 19th Century European Art Artist British Arts And Entertainment Aureole British Artist Divinity Ethnic Origin Goddesses Halo Music Instrument Musical Instruments Musics Natural Space Positive Concepts Pre Raphaelite Several People Several Persons


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> Architecture > Great Houses

> Architecture > Religious

> Architecture > Styles > Victorian Architecture

> Arts > Art Movements > Related Images

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Arts > Artists > S > John Melhuish Strudwick

> Arts > Artists > Y > Art Young

> Arts > Artists > Y > John Young

> Arts > Still life artwork > Oil paintings

> Fine Art Finder > Artists > Georges Washington

> Fine Art Finder > Artists > John Melhuish Strudwick


EDITORS COMMENTS
The Ramparts of God's House, painted by John Melhuish Strudwick in 1890, is a captivating oil on canvas masterpiece that transports viewers to a celestial realm. This enchanting artwork, measuring 61x85.1 cm, showcases the artist's exceptional talent and attention to detail. The painting depicts an ethereal scene where angelic figures stand upon towering ramparts that seem to stretch endlessly into the heavens above. These divine beings are adorned with halos and flower crowns, symbolizing their heavenly status and connection to nature. The vibrant colors used by Strudwick bring life and vibrancy to this otherworldly setting. Amidst the angels' presence, we find a celestial harpist serenading the heavens with her melodious tunes. Her delicate fingers gracefully pluck at the strings of her musical instrument, filling the air with harmonious melodies that resonate throughout this mystical realm. As our gaze wanders through this awe-inspiring composition, we cannot help but be captivated by the intricate architectural details adorning these heavenly ramparts. Every archway and column exudes grandeur and magnificence fit for gods and goddesses. Strudwick's masterful brushwork invites us into a world where divinity meets earthly beauty—a fusion of fantasy and reality that leaves us spellbound. This remarkable piece not only showcases his artistic prowess but also serves as a testament to his deep understanding of religion, spirituality, and humanity's eternal quest for transcendence.

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