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An Election Entertainment, 1755 (engraving)
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An Election Entertainment, 1755 (engraving)
1071396 An Election Entertainment, 1755 (engraving) by Hogarth, William (1697-1764); 43.2x53.7 cm; Dallas Museum of Art, Texas, USA; (add.info.: Election I from the Humours of an Election series; A tavern dinner organised by Whig candidates, while the Tories protest against the adoption of the Gregorian calendar outside; A banner containing the words Give us our Eleven Days lies on the floor of the tavern; ); Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg; English, out of copyright
Media ID 23518828
© Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg / Bridgeman Images
Antisemitism Assault Banquet Brick Candidate Canvassing Chaos Corruption Democracy Democratic Demonstrating Double Bass Drunken Drunkenness Elections English Politics Feast Knocked Out Oxfordshire Oysters Protesting Reform Rioting Riots Rowdy Sordid Supporters Tories Tory Violin Whig Whigs
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EDITORS COMMENTS
This engraving by William Hogarth, titled "An Election Entertainment, 1755" offers a vivid snapshot of the chaotic and rowdy atmosphere surrounding an election in 18th century England. The scene takes place in a bustling tavern, where Whig candidates are hosting a banquet while outside, Tories vehemently protest against the adoption of the Gregorian calendar. The image is filled with intricate details that depict the various elements at play during this political event. A banner demanding "Give us our Eleven Days" lies discarded on the floor, symbolizing the resistance to change. Amidst the revelry and feasting inside, there is an air of sordidness and corruption as supporters engage in drunkenness and rioting. Hogarth's satirical approach shines through as he caricatures both sides of English politics. The chaos is palpable as individuals clash with one another while musicians attempt to play their instruments amidst all the commotion. This engraving serves as a biting commentary on government, democracy, and political campaigns of its time. Now housed at Dallas Museum of Art in Texas, USA, this print from Hogarth's Humours of an Election series remains relevant today for its portrayal of power struggles and societal divisions that continue to shape elections worldwide. It stands as a testament to Hogarth's artistic genius and his ability to capture complex social dynamics within a single frame.
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