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Jesus meets the women of Jerusalem on his way to his crucifixion (colour litho)

Jesus meets the women of Jerusalem on his way to his crucifixion (colour litho)


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Jesus meets the women of Jerusalem on his way to his crucifixion (colour litho)

5226670 Jesus meets the women of Jerusalem on his way to his crucifixion (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus meets the women of Jerusalem on his way to his crucifixion. Illustration from Katholische Familienbibel (Catholic Family Bible) (Verlag Koesel-Pustet, Munich, 1940).); © Look and Learn

Media ID 23612634

© Look and Learn / Bridgeman Images

Burden Cathloic Cathoic Crown Of Thorns Crucifixion Crying Easter Heavy Jerusalem Ordeal Passion Of Christ Roman Catholicism Stations Of The Cross Suffering Via Dolorosa Weeping Weight Catholic Religion Catholics


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EDITORS COMMENTS
This print titled "Jesus meets the women of Jerusalem on his way to his crucifixion" by Gebhard Fugel depicts a powerful scene from the New Testament. The vibrant colors of this lithograph bring to life the emotional encounter between Jesus and the women of Jerusalem as he carries his heavy burden towards Calvary. In this poignant moment, we witness Jesus' compassion for those who mourn for him. Despite his own suffering, he takes a moment to console these grieving women, their tears mirroring the weight of their sorrow. The soldiers surrounding them stand as stoic witnesses to this profound meeting. The image captures not only the physical pain that Jesus endures but also the spiritual significance of his sacrifice. His crown of thorns symbolizes both his earthly torment and divine purpose, while carrying the cross represents bearing humanity's sins. As Easter approaches, this artwork serves as a reminder of Christ's passion and ultimate sacrifice for mankind's salvation. It invites us to reflect on our own faith and values within Christianity or any other religious belief system. This lithograph is part of Katholische Familienbibel (Catholic Family Bible), published in Munich in 1940. Its inclusion in private collections ensures its preservation so that future generations can appreciate its beauty and contemplate its profound message about love, redemption, and human suffering.

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