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Printing of a Journal: Placing Paper Pulp, 1861. Engraving in "

Printing of a Journal: Placing Paper Pulp, 1861. Engraving in '


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Printing of a Journal: Placing Paper Pulp, 1861. Engraving in "

XEE4153957 Printing of a Journal: Placing Paper Pulp, 1861. Engraving in " Le Monde Illustre" nA'200 of 9 February 1861. by French School, (19th century); Private Collection; (add.info.: Printing of a Journal: Placing Paper Pulp, 1861. Engraving in " Le Monde Illustre" nA'200 of 9 February 1861.); Stefano Bianchetti; French, out of copyright

Media ID 22748290

© Stefano Bianchetti / Bridgeman Images

Atelier Manufacturing Technology Printing Laborer


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EDITORS COMMENTS
This print takes us back to the year 1861, offering a glimpse into the intricate process of printing a journal. Titled "Printing of a Journal: Placing Paper Pulp" this engraving from "Le Monde Illustre" showcases the labor-intensive nature of this art form. In the image, we see a French laborer diligently working in an atelier, surrounded by various instruments and machinery. With focused precision, he carefully places paper pulp onto the press, ensuring each sheet is perfectly aligned for printing. The scene exudes an atmosphere of dedication and craftsmanship as every detail is attended to with utmost care. The artist behind this remarkable piece is Stefano Bianchetti, whose talent shines through in capturing both the physicality and essence of this momentous task. Through his skilled hand, we are transported to a time when manufacturing technology was still evolving but already making its mark on society. As we observe this historical snapshot frozen in time, it serves as a reminder of how far we have come in terms of technological advancements within the world of printing. It also pays homage to those unsung heroes who labored tirelessly behind-the-scenes to bring knowledge and information into people's lives through printed media. This print from Stefano Bianchetti's private collection offers us not only an artistic masterpiece but also an opportunity to reflect on our own relationship with printed materials and their enduring impact throughout history.

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