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Oysters, 1833-39 (coloured engraving)
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Oysters, 1833-39 (coloured engraving)
999278 Oysters, 1833-39 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: A Dictionnaire pittoresque d histoire naturelle et des phenomAnes de la natureA, 1833-39, published by Felix Edouard Guerin-Meneville
Austern, Austernfisher, Wiedehopf, Stahlstich, 19tes Jahrhundert, Illustration, Tiere, VAogel
Huitres, Huitrier, Huppe
Ostreidae, Haematopus, Upupa sp.); ePurix Verlag Volker Christen; French, out of copyright
Media ID 23057646
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
This coloured engraving titled "Oysters, 1833-39" takes us back to the 19th century with its exquisite depiction of nature's wonders. Created by an anonymous French artist from that era, this print is a part of a private collection and showcases the beauty of oysters in their natural habitat. Originally published in "A Dictionnaire pittoresque d'histoire naturelle et des phénomènes de la nature" a renowned work by Felix Edouard Guerin-Meneville, this artwork captures the essence of marine life. The intricate details and vibrant colors bring these mollusks to life on paper. The image also features other elements such as birds like the oystercatcher and hoopoe, adding depth and complexity to the composition. These creatures coexist harmoniously with the oysters, creating a visual narrative that celebrates biodiversity. With its delicate lines and precise craftsmanship, this engraving exemplifies the artistry prevalent during the 19th century. It serves as both an educational tool for studying natural history and an aesthetic delight for art enthusiasts. Preserved by ePurix Verlag Volker Christen today, this print reminds us of our connection to nature's bounties while also highlighting humanity's fascination with capturing its beauty through artistic mediums. As we gaze upon this enchanting piece from Bridgeman Images' Fine Art Finder collection, we are transported back in time to appreciate not only the skillful technique but also our enduring curiosity
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