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Illustration from Le Comte d Essex by Thomas Corneille (1625-1709

Illustration from Le Comte d Essex by Thomas Corneille (1625-1709


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Illustration from Le Comte d Essex by Thomas Corneille (1625-1709

CHT233231 Illustration from Le Comte d Essex by Thomas Corneille (1625-1709) published in 1680 (engraving) (b/w photo) by French School, (17th century); Bibliotheque Sainte-Genevieve, Paris, France; (add.info.: last favourite of Queen Elizabeth I; ); eArchives Charmet; French, out of copyright

Media ID 22663626

© Archives Charmet / Bridgeman Images

16th Century Costume Earl Of Essex Elizabethan Robert Devereux Ruff Sceptre


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> Animals > Birds > Charadriiformes > Sandpipers > Ruff

> Arts > Artists > R > Thomas Roberts

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EDITORS COMMENTS
This print showcases an exquisite illustration from "Le Comte d Essex" by Thomas Corneille, a renowned French playwright of the 17th century. Published in 1680, this engraving beautifully captures a scene filled with drama and intrigue. The image portrays the last favorite of Queen Elizabeth I, the Earl of Essex, alongside a female figure adorned with a crown and scepter. The couple stands amidst an aristocratic setting, their elaborate costumes reflecting the fashion trends of the Elizabethan era. With its meticulous attention to detail, this artwork transports us back to a time when tragedy unfolded on stage. The intense expressions on both characters' faces hint at the emotional turmoil that lies within this dramatic tale. As we delve into history through this mesmerizing print, we are reminded of Robert Devereux's tumultuous life as he navigated his way through courtly politics and power struggles. His story is one intertwined with love, betrayal, and ultimately tragedy. Preserved in Bibliotheque Sainte-Genevieve in Paris, France; this piece offers us a glimpse into aristocratic society during the 16th century. It serves as a testament to Corneille's artistic prowess and his ability to capture complex human emotions within his works. Through Bridgeman Images' careful preservation efforts, we can now appreciate this remarkable illustration from "Le Comte d Essex" for generations to come.

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