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Tuaregs exhibited at the Velodrome d Hiver, Paris (colour litho)

Tuaregs exhibited at the Velodrome d Hiver, Paris (colour litho)


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Tuaregs exhibited at the Velodrome d Hiver, Paris (colour litho)

2818524 Tuaregs exhibited at the Velodrome d Hiver, Paris (colour litho) by French School, (19th century); Private Collection; (add.info.: Tuaregs exhibited at the Velodrome d Hiver, Paris. La caravane de Touareg au Velodrome d hiver. Illustration for Le Petit Journal, 4 June 1894.); © Look and Learn

Media ID 23452874

© Look and Learn / Bridgeman Images

Bactrian Camel Camel Camels Edhibitions Exhibit Exhibited Exhibitors Tuareg Velodrome World Exhibition


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> Animals > Mammals > Bactrian Camel

> Animals > Mammals > Camel

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> Arts > Still life artwork > Still life art

> Arts > Still life artwork

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Still life paintings

> Arts > Street art graffiti > Still life > Still life artwork

> Europe > France > Paris > Related Images

> Fine Art Finder > Artists > Frederic Theodore (after) Lix

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EDITORS COMMENTS
This print titled "Tuaregs exhibited at the Velodrome d Hiver, Paris" takes us back to the 19th century, offering a glimpse into French colonialism and cultural exchange. The image showcases a group of Tuareg people in their traditional costumes, surrounded by camels, as they are displayed at the renowned Velodrome d Hiver in Paris. The vibrant colour litho brings to life this historical moment when these indigenous African nomads were put on exhibit for the public's fascination. It serves as a reminder of how European countries often treated colonized peoples as curiosities or objects of study during that era. The composition captures both the exotic allure of Africa and the imposing grandeur of France. The majestic Bactrian camels stand tall against the backdrop of an ornate velodrome structure, symbolizing both cultural exchange and power dynamics between Europe and its colonies. This photograph was originally featured in Le Petit Journal on June 4th, 1894, further emphasizing its significance as a piece of journalistic documentation from that time. It offers us a window into an era when world exhibitions were popular platforms for showcasing different cultures and celebrating technological advancements. As we reflect upon this image today, it prompts us to critically examine our history while appreciating its artistic value. Through this lens, we can better understand how past events have shaped our present world and foster dialogue about colonial legacies that still resonate today.

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