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Venus Italica, c. 1822-23 (marble)
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Venus Italica, c. 1822-23 (marble)
3492980 Venus Italica, c.1822-23 (marble) by Canova, Antonio (1757-1822) (studio of); 175.3 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: Canovas first marble Venus is in the Palazzo Pitti, Florence. Known as the Venus Italica, it was ordered in 1804 by Ludovico I, King of Etruria, as a replacement for the ancient Medici Venus that had been taken by the French for the Musee Napoleon. This replica, believed to have been purchased from Canovas studio by the third marquess of Londonderry when he was visiting Rome in 1823, remained in Londonderry House, London, until 1962.); Italian, out of copyright
Media ID 23629744
© Bridgeman Images
Aphrodite Copy Neo Classicism Neoclassical Neoclassicism Replica Neo Classical
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This print captures the timeless beauty of "Venus Italica" a marble sculpture created by Antonio Canova in the early 19th century. Standing at an impressive height of 175.3 centimeters, this neoclassical masterpiece is housed in the Metropolitan Museum of Art in New York City. Canova's Venus Italica was commissioned as a replacement for the ancient Medici Venus, which had been taken by the French and placed in the Musee Napoleon. This replica, believed to have been acquired from Canova's studio by the third Marquess of Londonderry during his visit to Rome in 1823, resided in Londonderry House until 1962. The sculpture depicts Aphrodite, known as Venus in Roman mythology, who is revered as the goddess of love and beauty. With her graceful pose and delicate features, she embodies classical ideals of feminine allure and elegance. Crafted with meticulous attention to detail, this neoclassical work showcases Canova's mastery over marble sculpting. The smoothness and purity of form highlight both the artist's technical skill and his ability to capture human emotion through stone. As we gaze upon this exquisite image, we are transported back to an era where mythological figures were celebrated for their divine grace and eternal charm. It serves as a reminder that art has no expiration date; it continues to inspire awe and admiration across generations.
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