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With the Tochi Field Force, "Retribution", destroying Sherani Village (litho)

With the Tochi Field Force, 'Retribution', destroying Sherani Village (litho)


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With the Tochi Field Force, "Retribution", destroying Sherani Village (litho)

1042572 With the Tochi Field Force, " Retribution", destroying Sherani Village (litho) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info.: With the Tochi Field Force, " Retribution", destroying Sherani Village. Illustration for The Graphic, 9 October 1897.); Look and Learn / Illustrated Papers Collection; English, out of copyright

Media ID 22223310

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Destroying Pakistan Retribution


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EDITORS COMMENTS
The captivating print titled "With the Tochi Field Force, 'Retribution', destroying Sherani Village" captures a powerful moment in history. Created by Charles J. Staniland and reproduced as a lithograph, this image showcases the sheer force and devastation unleashed upon Sherani Village by the Tochi Field Force. Intriguingly, this artwork was originally published in The Graphic on October 9th, 1897. It offers viewers a glimpse into an era when military retribution played a significant role in shaping geopolitical landscapes. The scene depicted here is one of destruction and chaos as the village succumbs to the might of the Tochi Field Force. As we examine this photograph closely, it becomes apparent that it serves as both documentation and commentary on colonial power dynamics at play during that time period. The engraving highlights not only the military prowess of those involved but also raises questions about justice and accountability. This particular print now resides within a private collection but continues to captivate audiences with its historical significance. Its inclusion in Look and Learn / Illustrated Papers Collection further solidifies its importance as a visual representation of past events. Through this image, we are reminded of how art can serve as a medium for storytelling and reflection upon our shared human experiences – even those marked by conflict and destruction.

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