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Naked woman lying on her back study for "Scene de guerre au Middle Ages"
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Naked woman lying on her back study for "Scene de guerre au Middle Ages"
JLJ4614051 Naked woman lying on her back study for " Scene de guerre au Middle Ages" Black pencil drawing by Edgar Degas (1834-1917) Dim. 0, 22 x 0, 35 m Paris. Louvre Museum by Degas, Edgar (1834-1917); Louvre, Paris, France; (add.info.: Naked woman lying on her back study for " Scene de guerre au Middle Ages" Black pencil drawing by Edgar Degas (1834-1917) Dim. 0, 22 x 0, 35 m Paris. Louvre Museum); Photo ePhoto Josse; French, out of copyright
Media ID 22847620
© Josse / Bridgeman Images
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EDITORS COMMENTS
This black pencil drawing by Edgar Degas showcases a naked woman lying on her back, serving as a study for his renowned artwork "Scene de guerre au Middle Ages". The dimensions of this print are 0.22 x 0.35 meters and it is housed in the Louvre Museum in Paris, France. Degas, a prominent French artist from the 19th century, was known for his exceptional talent in capturing human form and movement. In this particular piece, he skillfully portrays the vulnerability and grace of the female body through delicate lines and shading. The subject's reclined position evokes a sense of tranquility amidst an imagined medieval war scene. Degas' attention to detail is evident as he meticulously renders every curve and contour with precision. As we admire this artwork, we are reminded of the timeless beauty that lies within art itself. It serves as a testament to Degas' mastery and ability to evoke emotion through his drawings. Displayed at the Louvre Museum, this print offers viewers an opportunity to delve into Degas' artistic process while appreciating the rawness and authenticity captured in this study. It invites us to reflect upon themes such as nudity, childhood innocence, youthfulness, and even our own mortality. Through its simplicity yet complexity simultaneously expressed on paper by one of history's greatest artists, this image continues to captivate audiences worldwide.
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