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Hamadryas baboon and wanderoo. 1774 (engraving)
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Hamadryas baboon and wanderoo. 1774 (engraving)
7233236 Hamadryas baboon and wanderoo. 1774 (engraving) by Martinet, Francois Nicolas (1731-1800); Private Collection; (add.info.: Hamadryas baboon, Papio hamadryas, and endangered wanderoo or lion-tailed macaque, Macaca silenus, Le papion, l ouanderou. Copperplate engraving by Antonio Baratti after Francois-Nicolas Martinet from Denis Diderot and Jean le Rond d Alemberts Encyclopedie, Histoire Naturelle (Encyclopedia: Natural History), Livourne, 1774. Francois-Nicolas Martinet (1731-1800) was a French draftsman and engraver.); © Florilegius
Media ID 24829036
© Florilegius / Bridgeman Images
Encyclopaedia Macacques Monkey Monkeys Primate Primates Zoological Zoologist Natural Sciences
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EDITORS COMMENTS
This engraving, titled "Hamadryas baboon and wanderoo. 1774" takes us back to the 18th century, a time when scientific exploration was at its peak. The print showcases the remarkable artistic skills of Francois Nicolas Martinet, a French draftsman and engraver. In this piece, we are introduced to two intriguing creatures from the animal kingdom: the Hamadryas baboon and the endangered wanderoo or lion-tailed macaque. The intricate details captured by Martinet bring these animals to life on paper, allowing us to appreciate their unique features. The Hamadryas baboon, scientifically known as Papio hamadryas, is depicted alongside the wanderoo or Macaca silenus in this composition. Their contrasting appearances highlight the diversity found within nature's creations. Engraved by Antonio Baratti under Martinet's guidance for Denis Diderot and Jean le Rond d'Alembert's Encyclopedie Histoire Naturelle (Encyclopedia: Natural History), this artwork serves as an educational tool that combines art with scientific knowledge. It offers insight into zoology during that era while showcasing Martinet's exceptional talent in capturing anatomical accuracy. As we gaze upon this print today, it reminds us of our continuous fascination with wildlife throughout history. It also serves as a testament to how art can be used not only for aesthetic pleasure but also as a means of preserving knowledge about our natural world.
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