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Bishamonten (Vaisravana, Guardian of the North) (wood with metal & gold leaf)

Bishamonten (Vaisravana, Guardian of the North) (wood with metal & gold leaf)


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Bishamonten (Vaisravana, Guardian of the North) (wood with metal & gold leaf)

2628783 Bishamonten (Vaisravana, Guardian of the North) (wood with metal & gold leaf) by Japanese School (12th century); 58.4x24.1x20.3 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Bishamonten is the name of one of the Four Heavenly Kings. He is considered the " chief" of the Four Kings and an important figure on his own in Buddhism in Japan.); eMinneapolis Institute of Art; The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark; Japanese, out of copyright

Media ID 23443330

© Minneapolis Institute of Art The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark / Bridgeman Images

Buddhism Buddhist Guardian Heavenly North Plinth Polychrome Polychromed Staff Stick Bishamonten Vaisravana


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EDITORS COMMENTS
This print showcases the exquisite artwork of "Bishamonten (Vaisravana, Guardian of the North)" by the Japanese School in the 12th century. The piece, made from wood adorned with metal and gold leaf, measures 58.4x24.1x20.3 cm and is currently housed at the Minneapolis Institute of Arts in Minnesota, USA. Bishamonten holds great significance as one of the Four Heavenly Kings and is revered as their leader in Buddhism in Japan. This sculpture beautifully captures his commanding presence and importance within Japanese culture. The intricate details on this wooden sculpture are truly remarkable. From Bishamonten's elaborately decorated headdress to his ornate staff, every element has been meticulously carved and polychromed to perfection. Resting on a plinth, Bishamonten stands tall with an air of authority befitting his role as a guardian deity. The artist's skillful use of kirikane (decorative metal foil) adds an extra layer of opulence to this already stunning piece. As we gaze upon this masterpiece through time, we are transported back to ancient Japan where spirituality intertwined seamlessly with artistry. Its acquisition by the Minneapolis Institute of Arts further solidifies its status as a cultural treasure that continues to captivate audiences today.

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