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Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome
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Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome
JLJ4584543 Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome, witnesses of the Crucifixion and Resurrection, Painting by Domenico Ghirlandaio (1449-1494) 1491, 1, 72x1, 67 m - The Visitation: Virgin Mary visits Elizabeth, between Mary Jacobie and Mary Salom, witnesses to the Crucifixion the Resurrection. Painting by Domenico Ghirlandaio (1449-1494), 1491, 1, 72 x 1, 67 m, Louvre Museum, Paris by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Louvre, Paris, France; (add.info.: Visitation: Virgin Mary visits Elisabeth, between Marie Jacobie and Marie Salome, witnesses of the Crucifixion and Resurrection, Painting by Domenico Ghirlandaio (1449-1494) 1491, 1, 72x1, 67 m - The Visitation: Virgin Mary visits Elizabeth, between Mary Jacobie and Mary Salom, witnesses to the Crucifixion the Resurrection. Painting by Domenico Ghirlandaio (1449-1494), 1491, 1, 72 x 1, 67 m, Louvre Museum, Paris); Photo ePhoto Josse; Italian, out of copyright
Media ID 23326466
© Josse / Bridgeman Images
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EDITORS COMMENTS
This print captures the essence of Domenico Ghirlandaio's masterpiece, "Visitation: Virgin Mary visits Elisabeth". Painted in 1491, this stunning artwork depicts a significant biblical event where the Virgin Mary pays a visit to her cousin Elizabeth. The painting showcases intricate details and vibrant colors that bring the scene to life. In this particular composition, two witnesses of the Crucifixion and Resurrection, Marie Jacobie and Marie Salome, flank the central figures. Their presence adds depth and symbolism to the narrative portrayed by Ghirlandaio. The artist's mastery is evident in his ability to convey emotion through facial expressions and body language. Displayed at the Louvre Museum in Paris, this monumental piece measures 1.72 x 1.67 meters. Its grandeur commands attention as viewers are drawn into its religious significance and artistic brilliance. The print beautifully captures every brushstroke with remarkable clarity. It allows art enthusiasts worldwide to appreciate Ghirlandaio's talent even if they cannot view it firsthand at the Louvre Museum. With its historical importance and aesthetic appeal, this image serves as a testament to both Domenico Ghirlandaio's skill as an artist and his contribution to Renaissance art. It reminds us of the enduring power of religious narratives depicted through visual arts throughout history.
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