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The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels, Lord Sandwich and assistant patch up the kettle of state. George III looks on, hands raised. North forced out of office on motion of confidence, 1782

The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels, Lord Sandwich and assistant patch up the kettle of state. George III looks on, hands raised. North forced out of office on motion of confidence, 1782


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The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels, Lord Sandwich and assistant patch up the kettle of state. George III looks on, hands raised. North forced out of office on motion of confidence, 1782

528671 The State Tinkers, James Gillray 1780. Lord North, British Prime Minister, kneels, Lord Sandwich and assistant patch up the kettle of state. George III looks on, hands raised. North forced out of office on motion of confidence, 1782. by Gillray, James (1757-1815); Universal History Archive/UIG

Media ID 25340078

© Universal History Archive/UIG / Bridgeman Images

1780 1782 Assistant Confidence Forced George Gillray Gillray James 1757 1815 Hands James James Gillray Kettle Kneels Lord Minister Motion North Office Patch Prime Raised Sandwich State C European Economic Community C European Union Tinkers


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The State Tinkers

EDITORS COMMENTS
by James Gillray is a satirical cartoon print that captures the political turmoil of 18th century Britain. In this vividly colored artwork, Lord North, the British Prime Minister at the time, is depicted kneeling while Lord Sandwich and an assistant desperately patch up a metaphorical "kettle of state". Meanwhile, King George III looks on with raised hands, seemingly powerless to intervene. The image symbolizes the precarious state of affairs in Great Britain during this period. Lord North's position as Prime Minister was under threat due to a lack of confidence from his colleagues. The motion of confidence ultimately forced him out of office in 1782. Gillray's artistic style and use of satire are evident in this piece. His caricature-like portrayal exaggerates the figures' features and expressions for comedic effect. Through his scathing commentary, Gillray highlights the dysfunction and instability within British politics during this era. This print serves as both a historical document and a work of art. It offers insight into the power dynamics and personalities involved in shaping British history at that time. As viewers engage with "The State Tinkers" they are transported back to an important moment in European history when political tensions were high and change was imminent.

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NAPOLEON CARTOON, 1805. The Plumb-pudding in danger; - or State Epicures taking un Petit Souper. Satirical etching, 1805, by James Gillray a propos of a peace overture from Napoleon, showing Napoleon and British Prime Minister William Pitt carving up the world
NAPOLEON CARTOON, 1805. The Plumb-pudding in danger; - or State Epicures taking un Petit Souper. Satirical etching, 1805, by James Gillray a propos of a peace overture from Napoleon, showing Napoleon and British Prime Minister William Pitt carving up the world
The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination
The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination
The state tinkers, Gillray, James, 1756-1815, engraver, Published Feb y 10th
The state tinkers, Gillray, James, 1756-1815, engraver, Published Feb y 10th
Caricatures of Benjamin Disraeli (engraving)
Caricatures of Benjamin Disraeli (engraving)
The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing. Above his head a crown is overbalancing a Cap of Liberty. Omen
The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing. Above his head a crown is overbalancing a Cap of Liberty. Omen

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