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Study for the tomb of Pope Clement VII, after Baccio (Bartolommeo) Bandinelli (print)
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Study for the tomb of Pope Clement VII, after Baccio (Bartolommeo) Bandinelli (print)
945360 Study for the tomb of Pope Clement VII, after Baccio (Bartolommeo) Bandinelli (print) by Caylus, Anne-Claude-Philippe de (1692-1765); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: 18th Century print after a drawing, circa 1535.); eFitzwilliam Museum; French, out of copyright
Media ID 23533706
© Fitzwilliam Museum / Bridgeman Images
Clement Embellished Funerary Memorial Mitre Papal Plinth Regalia
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EDITORS COMMENTS
This print showcases a study for the tomb of Pope Clement VII, created by the renowned artist Baccio Bandinelli. The print, masterfully captured by Anne-Claude-Philippe de Caylus in the 18th century, offers a glimpse into this ornate and embellished funerary design. The image depicts an angelic figure meticulously drawn with intricate details. The sculpture exudes a sense of grandeur and reverence as it stands atop a majestic plinth. Dressed in papal regalia, adorned with robes and mitre, the angel symbolizes divine protection over the pope's memorial. Every element of this Renaissance-inspired monument is carefully crafted to honor Pope Clement VII's legacy. From the delicate features of the angel to the elaborate design of his tomb, this drawing captures both artistic brilliance and religious devotion. The print allows us to appreciate Bandinelli's vision while offering insight into his creative process. It serves as a testament to his skillful ability to translate three-dimensional sculptures into two-dimensional drawings. Displayed at Fitzwilliam Museum in Cambridge, UK, this print invites viewers on a journey through time and art history. It not only celebrates one artist's talent but also pays homage to an influential figure who left an indelible mark on papal history.
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