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Punch cartoon: Last Few Days of St Pauls - the obstruction of the view of St Pauls Cathedral by the construction of the Ludgate Hill railway viaduct, London (engraving)
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Punch cartoon: Last Few Days of St Pauls - the obstruction of the view of St Pauls Cathedral by the construction of the Ludgate Hill railway viaduct, London (engraving)
6034754 Punch cartoon: Last Few Days of St Pauls - the obstruction of the view of St Pauls Cathedral by the construction of the Ludgate Hill railway viaduct, London (engraving) by English School, (19th century); Private Collection; (add.info.: Punch cartoon: Last Few Days of St Pauls - the obstruction of the view of St Pauls Cathedral by the construction of the Ludgate Hill railway viaduct, London. Illustration for Punch, Volume 45, July - December 1863.); Look and Learn / George Collection
Media ID 22570662
© Look and Learn / George Collection / Bridgeman Images
Bidge Blocked Blocking Civil Engineering Ludgate Hill Obstruction Pedestrian Bridge Punch St Pauls Cathedral Stone Bridge Supsension Bridge Viaduct Wooden Bridge Caricatures Comics
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EDITORS COMMENTS
This engraving titled "Punch cartoon: Last Few Days of St Pauls - the obstruction of the view of St Pauls Cathedral by the construction of the Ludgate Hill railway viaduct, London" takes us back to 19th century England. The image showcases a satirical drawing from Punch magazine, offering a humorous take on a significant urban development project. The artwork depicts the iconic St Paul's Cathedral partially hidden behind the newly constructed Ludgate Hill railway viaduct. The cartoon cleverly captures both political and social commentary on this architectural clash between progress and tradition. With its intricate details and sharp caricatures, this Victorian-era illustration reflects British society's fascination with satire and humor during that time. It serves as a reminder of how art can be used as a tool for social critique. The artist skillfully portrays the obstructed view caused by civil engineering advancements in an amusing yet scathing manner. This visual representation highlights not only physical obstructions but also metaphorical ones, symbolizing conflicts between modernization and preservation. As we gaze upon this historical print, we are transported to bustling London streets where pedestrians traverse various bridges – wooden, stone, suspension – showcasing diverse architectural styles prevalent at that time. Overall, this artwork offers viewers an insightful glimpse into 19th-century Britain while reminding us of timeless themes such as progress versus tradition and societal transformations shaped by infrastructure developments.
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