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Prison Life in England, Part II (engraving)
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Prison Life in England, Part II (engraving)
1052734 Prison Life in England, Part II (engraving) by Corbould, Alfred Chantrey (1852-1920); Private Collection; (add.info.: Prison Life in England, Part II, the Career of a Convict. Illustration for The Graphic, 22 February 1873.); Look and Learn / Illustrated Papers Collection; English, out of copyright
Media ID 23563394
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Career Convict Convicts Inspection Jails Medical Officer Millbank Newgate Prison Cells Prison Life Prisoners Prisons Waiting
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EDITORS COMMENTS
This engraving, titled "Prison Life in England, Part II" offers a haunting glimpse into the harsh realities of incarceration during the 19th century. Created by Alfred Chantrey Corbould, this print showcases the somber atmosphere within a prison's reception ward. The image transports us to an era where convicts awaited their fate with trepidation. The prisoners are depicted anxiously standing in line, their faces etched with despair and uncertainty. Each individual carries their own burdened past and uncertain future. Within this scene, we witness various aspects of prison life unfolding before our eyes. In one corner, men engage in oakum picking - a grueling task that involved unraveling old ropes for reuse. This laborious work was often assigned as punishment or to keep inmates occupied. Meanwhile, a stern-looking medical officer conducts an inspection nearby, ensuring that the prisoners' physical health is maintained amidst these grim surroundings. Rows of prison cells loom ominously in the background as a constant reminder of confinement. Corbould's meticulous attention to detail allows us to immerse ourselves in this bleak world where hope seems distant and freedom unattainable. Through his artistry, he sheds light on the hardships endured by those trapped within London's notorious prisons like Millbank and Newgate. As we gaze upon this powerful engraving from Bridgeman Images' collection, we are reminded of society's capacity for both cruelty and redemption – prompting reflection on how far we
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