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My name is George Nathaniel Curzon, I am a most superior person (litho)
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My name is George Nathaniel Curzon, I am a most superior person (litho)
PNP314574 My name is George Nathaniel Curzon, I am a most superior person (litho) by English School; Private Collection; (add.info.: George Nathaniel Curzon, 1st Marquess Curzon of Kedleston (1859-1925) was a British Conservative statesman who served as Viceroy of India and Foreign Secretary; ); Peter Newark Pictures; English, out of copyright
Media ID 22953420
© Peter Newark Pictures / Bridgeman Images
Arrogance Arrogant Haughty Imperious Lord Curzon Pompous Pride Proud Societies
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EDITORS COMMENTS
The print captures the essence of George Nathaniel Curzon, a man who exudes an air of superiority and pride. As one gazes upon his profile, it is impossible to ignore the imperious nature that radiates from him. Lord Curzon, as he is commonly known, was a prominent British Conservative statesman who held prestigious positions such as Viceroy of India and Foreign Secretary. In this lithograph, created by an English School artist, we witness a caricatured representation of Curzon's aristocratic persona. The engraving beautifully portrays his pompous demeanor and haughty expression. Every detail in this artwork emphasizes his arrogance and reinforces his status as an aristocrat. Curzon's place within high society is undeniable; he embodies the epitome of the upper class with all its privileges and entitlements. His image serves as a reminder of the power dynamics prevalent during the 19th century when social hierarchies were deeply ingrained in society. This photograph print not only captures Lord Curzon's physical features but also encapsulates an era marked by opulence and elitism. It offers us a glimpse into history while simultaneously inviting contemplation on themes such as class division and societal norms. As we observe this portrait, we are transported back to a time when individuals like Curzon held immense influence over political landscapes. It serves as both a testament to his legacy and a reflection on how perceptions of power have evolved throughout the twentieth century.
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