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General Sir James Charlemagne Dormer (colour litho)
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General Sir James Charlemagne Dormer (colour litho)
612633 General Sir James Charlemagne Dormer (colour litho) by English School, (19th century); Private Collection; (add.info.: General Sir James Charlemagne Dormer, Madras, 24 January 1891, Vanity Fair, cartoon); Look and Learn / Peter Jackson Collection
Media ID 22935010
© Look and Learn / Peter Jackson Collection / Bridgeman Images
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General Sir James Charlemagne Dormer - A Satirical Portrait of Military Might
EDITORS COMMENTS
. This print showcases a colour lithograph of General Sir James Charlemagne Dormer, an esteemed figure from the 19th century. The image captures his larger-than-life persona and military prowess, as depicted by the English School artist. The caricature was originally published on January 24,1891, in Vanity Fair magazine's cartoon section. Known for its scathing satire and biting wit, this satirical drawing offers a unique perspective on General Dormer's personality and reputation at the time. With Madras as its backdrop, this artwork provides a glimpse into the colonial era when British influence extended far beyond their shores. It serves as both a historical artifact and a testament to the power dynamics prevalent during that period. The artist skillfully portrays General Sir James Charlemagne Dormer with exaggerated features and comical elements. This satirical cartoon invites viewers to reflect upon societal norms surrounding military figures while offering entertainment through humor. Preserved within a private collection, this rare find allows us to delve into history while appreciating artistic expression. Its inclusion in Look and Learn / Peter Jackson Collection further solidifies its significance in capturing moments of cultural commentary through artistry. As we explore this remarkable piece from Bridgeman Images' Fine Art Finder collection, let us appreciate how it transcends time by encapsulating not only General Sir James Charlemagne Dormer but also broader themes of power dynamics and social critique
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