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Evening View on Heaton Dene, Lancashire, from an Eminence near Mables Mill
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Evening View on Heaton Dene, Lancashire, from an Eminence near Mables Mill
TW426862 Evening View on Heaton Dene, Lancashire, from an Eminence near Mables Mill, 1831 (oil on canvas) by Richardson, Thomas Miles (1784-1848); 96.5x134.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: at the time this picture was painted, Heaton Dene was part of the grounds of Heaton Hall, owned by Lord Ridley; The dene was used as a pleasant country walking area by people from the town; Most of Heaton Dene was built over later in the 19th century, but part still remains as a park; ); eTyne & Wear Archives & Museums; English, out of copyright
Media ID 22407616
© Tyne & Wear Archives & Museums / Bridgeman Images
English Landscape Northern England Townspeople Villagers
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> Landscapes: 18th/19th C
Evening View on Heaton Dene, Lancashire - A Glimpse into the Serenity of 19th Century Northern England
EDITORS COMMENTS
. This oil painting by Thomas Miles Richardson takes us back to a tranquil evening in Heaton Dene, Lancashire. The artist skillfully captures the essence of this picturesque landscape from an elevated viewpoint near Mables Mill. As we gaze upon the canvas, our eyes are immediately drawn to the billowing smoke rising from a distant cottage chimney, hinting at human presence amidst nature's beauty. The lush greenery of the dene surrounds us, with tall trees gracefully swaying in the gentle breeze. Villagers and townspeople can be seen strolling along winding paths that meander through this idyllic countryside scene. Their figures add a sense of scale and life to an otherwise peaceful setting. Heaton Dene was once part of Lord Ridley's estate and served as a popular walking area for locals seeking respite from urban life. While much of it has been developed over time, remnants still exist today as a park where visitors can immerse themselves in its natural splendor. Richardson's masterful brushstrokes evoke a sense of tranquility and nostalgia for simpler times. This painting transports us back to 1831 when English landscapes like these were celebrated for their untouched beauty. It serves as both a testament to Richardson's artistic prowess and an invitation for viewers to appreciate the enduring allure of nature's enchantment.
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