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No 4 La Belle Alliance and NeuvCour... 1815 (w / c & pencil on paper)
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No 4 La Belle Alliance and NeuvCour... 1815 (w / c & pencil on paper)
1268393 No 4 La Belle Alliance and NeuvCour... 1815 (w/c & pencil on paper) by Dighton, Denis (1792-1827); National Army Museum, London; (add.info.: View across a corn field to La Belle Alliance, Waterloo, 1815. From a series of nine landscape views of the battlefield of Waterloo painted shortly after the battle.); eNational Army Museum; English, out of copyright
Media ID 22849874
© National Army Museum / Bridgeman Images
Battle Of Waterloo Battlefields Fields La Belle Alliance Napoleonic Wars
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EDITORS COMMENTS
The captivating print titled "No 4 La Belle Alliance and NeuvCour. . . 1815" takes us back in time to the historic Battle of Waterloo. The artwork, created by Denis Dighton in the early 19th century, showcases a picturesque landscape with a corn field leading our gaze towards the iconic La Belle Alliance house. This particular piece is part of a series of nine landscape views that were painted shortly after the battle itself. It offers viewers an immersive experience as they witness the aftermath of one of history's most significant conflicts - the Napoleonic Wars. As we delve into this image, we are transported to a moment frozen in time. The fields surrounding La Belle Alliance stand silent witnesses to the fierce battles fought on these very grounds. The artist's use of watercolor and pencil brings life to every stroke, capturing both the beauty and devastation intertwined within this historical event. With each glance at this photo print, we can almost hear echoes from centuries past; whispers carried by winds that have long since swept away any traces of war. It serves as a reminder not only of human resilience but also how nature reclaims its dominion over man-made structures. "No 4 La Belle Alliance and NeuvCour. . . 1815" is more than just an artistic representation; it encapsulates history itself – inviting us to reflect upon those who fought bravely on these hallowed grounds while contemplating our own place within such monumental events.
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