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Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783 (engraving)

Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783 (engraving)


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Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783 (engraving)

6032184 Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783 (engraving) by Sayers, James (1748-1823); Private Collection; (add.info.: Carlo Khans Triumphal Entry into Leadenhall Street: satire on Whig politician Charles James Fox and his ambitions regarding India, 1783.); Look and Learn / Valerie Jackson Harris Collection

Media ID 22883574

© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images

Ambitions British Empire Charles James Fox Elephant Hanoverian Late 18th Century Leadenhall Street Mocking Trumpeter Whig Inida


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EDITORS COMMENTS
The engraving titled "Carlo Khans Triumphal Entry into Leadenhall Street" is a satirical portrayal of Whig politician Charles James Fox and his ambitions regarding India in 1783. Created by James Sayers, this artwork captures the political climate of the time with its clever caricature and biting humor. In the image, we see Carlo Khan, a fictional character representing Fox, making a grand entrance into Leadenhall Street. He is depicted riding on an elephant adorned with Indian costume while being accompanied by a trumpeter. This exaggerated display mocks Fox's aspirations for power and influence over India as part of the British Empire's colonialism efforts. The late 18th-century setting adds historical context to this satirical cartoon. It reflects the Hanoverian Georgian era in Britain when political tensions were high and politicians like Fox were vying for control and dominance. Sayers' skillful use of satire highlights not only Fox's ambitions but also critiques British imperialism in India. The inclusion of various animals throughout the artwork symbolizes both wildlife from India as well as the wild nature of politics itself. This print offers viewers an insightful glimpse into British history, politics, and society during that period. It serves as a reminder that even centuries ago, political cartoons played a significant role in shaping public opinion and challenging those in power.

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