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Virgin and Child between Saint John the Baptist and Saint Peter of Verona (Pietro Martire or Pietro da Verona, ca. 1205-1252) (Virgin with child with st John the baptist and Peter of Verona) Triptyqye (Triptych) Painting by Niccolo da Cremona
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Virgin and Child between Saint John the Baptist and Saint Peter of Verona (Pietro Martire or Pietro da Verona, ca. 1205-1252) (Virgin with child with st John the baptist and Peter of Verona) Triptyqye (Triptych) Painting by Niccolo da Cremona
LRI4690965 Virgin and Child between Saint John the Baptist and Saint Peter of Verona (Pietro Martire or Pietro da Verona, ca. 1205-1252) (Virgin with child with st John the baptist and Peter of Verona) Triptyqye (Triptych) Painting by Niccolo da Cremona, 1520 Basilica di Santa Maria delle Grazie Milan, Italy by Cremona, Nicolo da (16th century); Santa Maria delle Grazie, Milan, Italy; (add.info.: Virgin and Child between Saint John the Baptist and Saint Peter of Verona (Pietro Martire or Pietro da Verona, ca. 1205-1252) (Virgin with child with st John the baptist and Peter of Verona) Triptyqye (Triptych) Painting by Niccolo da Cremona, 1520 Basilica di Santa Maria delle Grazie Milan, Italy); Luisa Ricciarini
Media ID 25185960
© Luisa Ricciarini / Bridgeman Images
Catholic Cross Christendom Dominican Gesture Open Book Saint John The Baptist Accessory Aureole Cinquecento Martyr Various Plants
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EDITORS COMMENTS
This triptych painting, titled "Virgin and Child between Saint John the Baptist and Saint Peter of Verona" is a masterpiece created by Niccolo da Cremona in 1520. The artwork can be found in the Basilica di Santa Maria delle Grazie in Milan, Italy. In this religious scene, the central panel depicts the Virgin Mary tenderly holding baby Jesus while standing on a lush green meadow. To her left stands Saint John the Baptist, recognizable by his traditional attire and wooden cross. On her right is Saint Peter of Verona, also known as Pietro Martire or Pietro da Verona, depicted with an axe symbolizing his martyrdom. The artist's attention to detail is evident through intricate brushwork and vibrant colors that bring life to each figure. The use of light enhances their divine presence as they are surrounded by an aureole radiating heavenly glow. Niccolo da Cremona's skillful composition draws viewers into this sacred moment, inviting contemplation and reflection on the significance of these holy figures within Christian iconography. The open book held by Mary represents wisdom and knowledge passed down through generations. This Renaissance-era painting showcases both religious devotion and artistic excellence. It serves as a testament to the rich cultural heritage preserved within Italian art history for centuries to come.
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