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Dancers on a Bench, c. 1898 (pastel on paper)

Dancers on a Bench, c. 1898 (pastel on paper)


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Dancers on a Bench, c. 1898 (pastel on paper)

GLS29448 Dancers on a Bench, c.1898 (pastel on paper) by Degas, Edgar (1834-1917); 53.7x75.6 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; (add.info.: by Edgar Degas); © CSG CIC Glasgow Museums Collection

Media ID 32178196

© © CSG CIC Glasgow Museums Collection / Bridgeman Images

Ballerina Banc Bench Class Danseuse Danseuses Degas Edgar 1834 1917 Edgar Degas Lesson Practice Rest Resting Shoes Taking A Rest Tutu


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Dancers on a Bench, c. 1898

EDITORS COMMENTS
is a captivating pastel artwork by the renowned French artist Edgar Degas. This exquisite piece, measuring 53.7x75.6 cm, can be found in the Art Gallery and Museum at Kelvingrove in Glasgow, Scotland. The scene depicted in this artwork showcases a group of female dancers taking a well-deserved rest during their dance lesson. The dancers are seen seated gracefully on a bench, wearing delicate tutus and ballet shoes that hint at their profession. Degas, known for his fascination with capturing movement and everyday life moments, beautifully portrays the essence of these dancers' practice session within his signature impressionist style. The soft pastel colors create an atmosphere of tranquility while highlighting the gracefulness and elegance of these ballerinas. As we observe this artwork closely, we notice each dancer engrossed in her own world - some fanning themselves to cool down after exertion while others engage in conversation or quietly contemplate their next steps. Their expressions convey both exhaustion from rigorous training and determination to perfect their craft. Through "Dancers on a Bench". Degas invites us into the intimate setting of the dance studio where he masterfully captures not only physical movements but also emotions and relationships between these aspiring artists. This print serves as a testament to Degas' exceptional talent as an artist who immortalized fleeting moments through his brushstrokes. It allows us to appreciate the beauty and dedication behind every graceful leap or pirouette performed

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