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Ceremonie des Cendres Politique, from La Caricature, pub. 1833 (hand coloured lithograph)

Ceremonie des Cendres Politique, from La Caricature, pub. 1833 (hand coloured lithograph)


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Ceremonie des Cendres Politique, from La Caricature, pub. 1833 (hand coloured lithograph)

3258454 Ceremonie des Cendres Politique, from La Caricature, pub. 1833 (hand coloured lithograph) by French School, (19th century); Private Collection; (add.info.: Charles Maurice de Talleyrand-Perigord (1754 - 1838); ); The Stapleton Collection; French, out of copyright

Media ID 22438928

© The Stapleton Collection / Bridgeman Images

Club Foot Devil Jesters Protest


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EDITORS COMMENTS
This hand-coloured lithograph, titled "Ceremonie des Cendres Politique" takes us back to the political landscape of 19th-century France. The print, originally published in 1833 by La Caricature, showcases the artistic brilliance of the French School. In this satirical masterpiece, we witness a scene filled with jesters and carnival characters that symbolize the turbulent state of affairs during that era. At its center stands Charles Maurice de Talleyrand-Perigord (1754 - 1838), a prominent figure known for his cunning diplomacy and influential role in French politics. The image cleverly portrays elements such as royal censorship and protest against oppressive regimes. A devilish character adds an air of mischief to the composition while highlighting the subversive nature of satire itself. Notably, Talleyrand's club foot is prominently featured in this artwork, emphasizing his physical disability alongside his political power. This attention to detail demonstrates how caricatures were used as powerful tools for commentary on both personal and political aspects. With its intricate engravings and meticulous colouring techniques, this print from The Stapleton Collection offers a fascinating glimpse into an important period in French history. It serves as a reminder of how art can be employed to challenge authority and shed light on societal issues that transcend time.

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