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San Diego of Alcala, c. 1665-70 (polychromed wood)
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San Diego of Alcala, c. 1665-70 (polychromed wood)
874956 San Diego of Alcala, c.1665-70 (polychromed wood) by Mena, Pedro de (1628-88); 61.5 x24 x27 cm; San Diego Museum of Art, USA; (add.info.: San Diego of Alcala, also called Didacus of AlcalAa or Diego de San NicolAas (c.1400-63), Spanish lay brother of the Order of Friars Minor who was among the first missionaries to the Canary Islands. ); eSan Diego Museum of Art; Museum Purchase with Funds from the Estate of Donald Shira and from Anne Otterson; Spanish, out of copyright
Media ID 22231972
© San Diego Museum of Art Museum Purchase with Funds from the Estate of Donald Shira and from Anne Otterson / Bridgeman Images
Didacus Of Alcal And Xe1 Didacus Of Alcala Diego De San Nicol And Xe1 Diego De San Nicolas Franciscan Franciscans Friars Minor Habit Habits Missionaries Missionary San Diego Of Alcala
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EDITORS COMMENTS
This print showcases the exquisite sculpture of "San Diego of Alcala" created by Pedro de Mena in the late 17th century. The polychromed wood statue stands at an impressive height of 61.5 centimeters, emanating a sense of grandeur and devotion. Displayed at the San Diego Museum of Art in the United States, this masterpiece depicts the Spanish lay brother, San Diego de Alcalá or Didacus of Alcaláa (c. 1400-63), who was one of the pioneering missionaries to the Canary Islands. As a member of the Order of Friars Minor, he played a significant role in spreading Christianity during that era. The attention to detail is remarkable as every feature and fold on his habit is meticulously carved and painted with vibrant colors, bringing life to this religious icon. The sculpture exudes a sense of serenity and piety through its delicate facial expression and gentle posture. Pedro de Mena's skillful craftsmanship shines through this artwork, capturing not only the physical likeness but also conveying spiritual depth. This piece serves as a testament to both artistic excellence and religious devotion prevalent during that period. As we gaze upon this image, we are transported back in time, appreciating not only its aesthetic beauty but also reflecting on the historical significance it holds within Christian art history.
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