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Cover of "The Don Quixote", number 271, Satirique en Colours
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Cover of "The Don Quixote", number 271, Satirique en Colours
ICA4926408 Cover of " The Don Quixote", number 271, Satirique en Colours, 1879_8_29: opening of the hunt - Anticlericalism - Teaching, Laicisation of religious space - Ravens - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " The Don Quixote", number 271, Satirique en Colours, 1879_8_29: opening of the hunt - Anticlericalism - Teaching, Laicisation of religious space - Ravens - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 23718320
© Caricadoc / Bridgeman Images
Animalization Anticlericalism Broom Laicite Marianne Raven Republic Shoot Woman Symbol A Journal Caricadoc Journalism
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EDITORS COMMENTS
This print showcases the cover of "The Don Quixote" number 271, Satirique en Colours. Created in 1879 by Charles Gilbert-Martin, this illustration captures a powerful allegory that delves into various themes such as hunting, anticlericalism, teaching, and the laicisation of religious space. Intriguingly, the image portrays an opening hunt scene with ravens symbolizing the clergy. The broom held by a woman symbolizes Marianne, representing France's Republic and its commitment to education and secularism. This engraving cleverly uses animalization to criticize the religious order while highlighting the importance of press freedom and laicité. The artist's attention to detail is evident in every aspect of this composition. From the watercolor-like colors that bring vibrancy to each element to the intricate linework that adds depth and texture, Gilbert-Martin's skill shines through. As we gaze at this artwork from Fine Art Finder, we are transported back to 19th-century France—a time when political satire played a crucial role in shaping public opinion. The image serves as a reminder of how art can be used as a tool for social commentary and reflection on societal values. Overall, this print invites us into a world where symbolism intertwines with historical context—an invitation worth accepting for anyone intrigued by French history or appreciative of thought-provoking artistic expressions.
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