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Duke William of Normandy receiving Harold Godwinson in his palac, 1856 (chromolithograph)
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Duke William of Normandy receiving Harold Godwinson in his palac, 1856 (chromolithograph)
7233817 Duke William of Normandy receiving Harold Godwinson in his palac, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info.: Duke William of Normandy receiving Harold Godwinson in his palace at Rouen. At right, a meeting between a mystery woman Aelfgyva (perhaps Algitha, widow of Griffith King of Wales) and a cleric. Chromolithograph by William Mossman after an illustration by Charles Stothard made for the Society of Antiquaries in Rev. John Collingwood Bruces The Bayeux Tapestry Elucidated, John Russell Smith, London, 1856.); © Florilegius
Media ID 25167214
© Florilegius / Bridgeman Images
11 11th 11th Xi 11th 11th Century 11 11th Xi Xith Century 11 Century 11th Century Adversary Army And Navy Bayeux Tapestry C11th Eleventh Century Invasion Madieval Moanrchy Monarchic Normandy Opponent Rival Rivalry Royalism Sec Xi Sovereigns Xi Century Xith Century C European Economic Community C European Union Combat Troops Conscripts Female Soldiers Late Middle Age Medieval Period Medioeval Middles Ages Navy Soldier Navy Soldiers Soldier Troop War Scene War Zone
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EDITORS COMMENTS
The captivating chromolithograph, "Duke William of Normandy receiving Harold Godwinson in his palace" transports us back to the 11th century, offering a glimpse into a significant historical moment. The print depicts Duke William of Normandy welcoming Harold Godwinson into his opulent palace at Rouen. This meeting holds immense significance as it marks the beginning of a chain of events that would forever alter the course of English history. Intriguingly, on the right side of the image, we witness an encounter between a mysterious woman named Aelfgyva and a cleric. Speculations arise regarding her identity; some suggest she may be Algitha, widow of Griffith King of Wales. This enigmatic interaction adds an air of mystery to an already compelling scene. Rendered by Charles Alfred Stothard and later transformed into a vibrant chromolithograph by William Mossman for Rev. John Collingwood Bruces' book "The Bayeux Tapestry Elucidated" this artwork beautifully captures both the grandeur and intricacies present during this era. As we delve deeper into this visual masterpiece, we are reminded not only of England's rich history but also its cultural heritage. The print serves as a testament to British culture and its enduring impact on European history. This remarkable piece from Fine Art Finder allows us to appreciate how art can transport us through time, enabling us to witness pivotal moments in human civilization with awe and fascination.
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