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The Cross of the Treasure of Sain John, recto, detail, 1457-59
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The Cross of the Treasure of Sain John, recto, detail, 1457-59
7268319 The Cross of the Treasure of Sain John, recto, detail, 1457-59 by Italian School, (15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence, Museum of the Opera del Duomo (Museum of Florence Cathedral of Santa Maria del Fiore): The Cross of the Treasure of St. John: the recto. Detail: statue of an angel. The Cross of the Treasure of St. John: the verso. This cross is a splendid example of Renaissance jewelery, sculpted in silver foil, chiseled and enameled by Betto di Francesco Betti, Antonio del Pollaiolo and Miliano di Domenico Dei between 1457 and 1459 approximately. It was commissioned to complete the silver altar. The Cross-monstrance is made up of three distinct main parts: the Crucifix, the stem and the base.); Ghigo Roli
Media ID 25501222
© Ghigo Roli / Bridgeman Images
1300s 14 14th Xiv Xivth Fourteenth Century Craft Industry Craftswoman Florentino Goldsmith Goldsmith Art Goldsmith Workshop Handicrafts John The Bapist John The Baptist Late 14th Century S John Baptist Saint John The Baptist Seraph Seraphs St John The Baptist Tuscan Xiv Secolo 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century 15th 15 Xv Xvth Fifteenth Century C14th Craftsman Craftsmen Fourteenth Century Jewel Jewels The 14th Century Xiv Century Xivth Century
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EDITORS COMMENTS
This print showcases the intricate detail of "The Cross of the Treasure of Saint John" from the 15th century. The image focuses on a statue of an angel, beautifully sculpted as part of this Renaissance masterpiece. Commissioned to complete a silver altar, this cross-monstrance is a stunning example of goldsmith artistry. Crafted by Betto di Francesco Betti, Antonio del Pollaiolo, and Miliano di Domenico Dei between 1457 and 1459, it features delicate silver foil work that has been chiseled and enameled. Displayed at the Museo dell'Opera del Duomo in Florence, Italy, this cross holds great significance within Christian religious iconography. It consists of three main parts: the Crucifix, stem, and base. The level of craftsmanship exhibited in this piece is truly awe-inspiring. Every minute detail reflects the skill and dedication of these master craftsmen from centuries ago. From its ornate design to its symbolic representation within Christianity as a whole, "The Cross of the Treasure of Saint John" stands as an enduring testament to both artistic excellence and spiritual devotion. As we gaze upon this photograph print by Ghigo Roli, we are transported back in time to witness firsthand the beauty and intricacy that defined Renaissance jewelry-making.
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