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Touts hygienise. Illustration for Le Pele-Mele, 1902 (colour litho)

Touts hygienise. Illustration for Le Pele-Mele, 1902 (colour litho)


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Touts hygienise. Illustration for Le Pele-Mele, 1902 (colour litho)

3100625 Touts hygienise. Illustration for Le Pele-Mele, 1902 (colour litho) by Mory, Georges Antonin Henri (Georges Omry) (1880-1914); Private Collection; (add.info.: Touts hygienise. Illustration for Le Pele-Mele, 19 October 1902.); © Look and Learn

Media ID 23113098

© Look and Learn / Bridgeman Images

Butts Cigar Comic Strip Comical Hygiene Le Pele Mele Rich Smoking Addiction Tobacco Tobacco Box Tobacco Packet Top Hats Comics Entertaining


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> Arts > Artists > Related Images

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > France > Related Images

> Fine Art Finder > Artists > Benjamin Rabier

> Fine Art Finder > Artists > Georges Antonin Henri (1880-1914) Mory

> Humour > Cartoon


EDITORS COMMENTS
This vibrant and humorous illustration captures the essence of early 20th-century French street life with a satirical twist. Created by Georges Antonin Henri Mory, also known as Georges Omry, in 1902, this colour lithograph was originally featured in Le Pele-Mele magazine. The scene depicts a bustling street filled with men from different walks of life. Dressed in top hats and smoking cigars, these characters represent both the rich and poor segments of society. The artist cleverly uses satire to highlight the stark contrast between their hygiene practices. In the foreground, we see a comical doctor holding up a sign that reads "Touts hygienise" which translates to "Everyone cleanses". This tongue-in-cheek message suggests that even though these men may appear refined on the outside, their smoking habits are detrimental to their health and cleanliness. The cartoon-like style adds an entertaining element to this social commentary piece. With exaggerated features and amusing expressions, it invites viewers to reflect on societal norms surrounding tobacco addiction during that era. Overall, this satirical drawing serves as a scathing critique of French culture at the time while providing comedic relief through its witty portrayal of everyday life. It reminds us that even in art created over a century ago, there is still room for laughter and reflection on timeless human behaviors.

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