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The Sonnet, 1848 (lithograph)
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The Sonnet, 1848 (lithograph)
6322113 The Sonnet, 1848 (lithograph) by Linnell, John (1792-1882); 36.2x29.8 cm; The Ms Gallery, London, UK; (add.info.: After William Mulready (1786-1863)
inscribed " The Sonnet, Lithographed by John Linnell Jun. after the Chalk Sketch for the picture by William Mulready R.A. Presented to Subscribers to the fund for/promoting the formating of a National Gallery of British Art, which originated with the Society of Arts, 1848. Proof. G. Printed by M & N Hanhart"
14.25 x 11.75 inches); Photo eThe Ms Gallery, London; English, out of copyright
Media ID 22339232
© The Maas Gallery, London / Bridgeman Images
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EDITORS COMMENTS
This lithograph, titled "The Sonnet, 1848" is a remarkable piece of art that showcases the talent and creativity of John Linnell. Measuring 36.2x29.8 cm, this print can be found in The Ms Gallery in London, UK. Originally based on a chalk sketch by William Mulready, Linnell beautifully captures the essence of the sonnet through his meticulous lithography technique. The image depicts a scene where an elegant lady sits pensively at her desk, engrossed in writing poetry. Her surroundings exude tranquility and sophistication, with books and musical instruments adorning the room. This particular print holds historical significance as it was created as part of a fundraising effort for the establishment of a National Gallery of British Art. Inscribed with dedication to subscribers who supported this cause back in 1848, it serves as a testament to the importance placed on preserving and promoting British artistic heritage. Now preserved within The Ms Gallery's collection, this photograph allows us to appreciate every intricate detail captured by Bridgeman Images' skilled photographers. With its dimensions measuring approximately 14.25 x 11.75 inches, this print brings forth alluring colors and textures that breathe life into Linnell's original masterpiece. As we gaze upon "The Sonnet" lithograph from Fine Art Finder's archives, we are transported back in time to witness both Mulready's initial vision and Linnell's exceptional interpretation come together harmoniously on paper
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