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One-legged sailors and sailing ship on a London street. 1831 (engraving)
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One-legged sailors and sailing ship on a London street. 1831 (engraving)
7234775 One-legged sailors and sailing ship on a London street.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: One-legged sailors begging with a donkey dragging a sailing ship on a waggon in a London street. The Humourist and her Crew. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius
Media ID 25167436
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This engraving from 1831 depicts a unique scene on the streets of London. In this satirical drawing by Thomas Rowlandson, we see one-legged sailors begging with a donkey dragging a sailing ship on a wagon. The image is titled "The Humourist and her Crew" and was originally published in W. H. Harrison's book, "The Humourist, a Companion for the Christmas Fireside". The illustration offers an intriguing glimpse into the everyday life of early 19th century London. It highlights the harsh reality faced by war-wounded sailors who were left disabled after their service. These brave men now find themselves reduced to beggars on the city streets. Rowlandson's hand-colored wood engraving skillfully captures both the poverty and resilience of these individuals as they navigate through society's challenges. The juxtaposition of the majestic sailing ship being pulled along by a humble donkey adds an element of irony to this thought-provoking image. As we delve deeper into this historical artwork, it serves as a reminder of how society has evolved over time in terms of healthcare, support systems, and attitudes towards disability. This print not only showcases Rowlandson's artistic talent but also sheds light on an important aspect of British history during that era. Overall, this engraving provides us with valuable insights into 19th-century England while simultaneously inviting us to reflect upon our own perceptions and treatment of those facing adversity in our modern world.
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