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The Princes of Orange (oil on canvas)

The Princes of Orange (oil on canvas)


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The Princes of Orange (oil on canvas)

BAL349277 The Princes of Orange (oil on canvas) by Venne, Adriaen van de (1589-1662) (workshop of); Private Collection; (add.info.: front row left to right Prince Maurits (1567-1625) prince of Orange; Frederik V (1596-1632) elector of the Palinate; Philips Willem (1554-1618) prince of Orange; Frederik Hendrik (1584-1647) prince of Orange; second row Willem Lodewijk (1560-1620) count of Nassau; Ernst Casimir (1573-1632) count of Nassau-Dietz; Lodewijk Gunther (1575-1604) count of Nassau; ); Johnny Van Haeften Ltd. London; Dutch, out of copyright

Media ID 12863469

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The Princes of Orange - A Glimpse into Dutch Royalty

EDITORS COMMENTS
. This print showcases the renowned oil on canvas painting, "The Princes of Orange" created by Adriaen van de Venne and his workshop. The artwork, now part of a private collection, offers a fascinating glimpse into the esteemed figures who once held power in the Netherlands. In this composition, we witness an impressive gathering of influential men from Dutch history. In the front row, Prince Maurits stands tall as the Prince of Orange alongside Frederik V, Elector of the Palatinate. Philips Willem and Frederik Hendrik complete this distinguished quartet. Moving to the second row, we encounter Willem Lodewijk, Count of Nassau; Ernst Casimir, Count of Nassau-Dietz; and Lodewijk Gunther, Count of Nassau. Each figure exudes strength and nobility as they sit astride their majestic horses. The painting not only captures these remarkable individuals but also pays homage to their equestrian prowess—a symbol often associated with power and authority during that era. Through this extraordinary artwork preserved in time by Johnny Van Haeften Ltd. , London, viewers are transported back to a period when these princes shaped Dutch history. Their legacy lives on through this masterful depiction—reminding us all about the rich heritage that continues to inspire generations worldwide.

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