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Cushion : Motor Show Preview Day at Earls Court. Traffic Warden Jacqui Smith looks at
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Motor Show Preview Day at Earls Court. Traffic Warden Jacqui Smith looks at
Motor Show Preview Day at Earls Court.
Traffic Warden Jacqui Smith looks at the Flying Car model for the new James Bond film " The Man With The Golden Gun", an AMC Matador Coupe.
15th October 1974
Arthur Sidey
Daily Mirror
Mirrorpix
London
England
74 6140
Media ID 21729394
© Mirrorpix
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print from Memory Lane Prints, we are transported back to the Motor Show Preview Day at Earls Court on the 15th of October 1974. Amidst a sea of sleek and shiny automobiles, our attention is immediately drawn to Traffic Warden Jacqui Smith. With an air of curiosity and awe, she gazes intently at the Flying Car model for the new James Bond film "The Man With The Golden Gun", specifically an AMC Matador Coupe. This snapshot captures a moment where fantasy meets reality, as the iconic world of James Bond collides with everyday life. Jacqui's presence reminds us that even in extraordinary circumstances, there are still those who diligently carry out their duties. Her occupation as a traffic warden juxtaposes against the backdrop of entertainment and glamour surrounding her. Arthur Sidey expertly freezes this unique intersection between motors and films in time, allowing us to appreciate both its historical significance and unusual nature. As we delve into this photograph further, it becomes evident that it encapsulates not only a specific era but also embodies the spirit of innovation and imagination that defined the 1970s. Without mentioning commercial use or any specific company associated with this image, Arthur Sidey's composition invites viewers to reflect on how transportation has evolved over time while simultaneously reminding us of our enduring fascination with cinema magic.
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