Cushion : Saint Andrew, 1635-1640, by Zurbaran
Home Decor from Mary Evans Picture Library
Saint Andrew, 1635-1640, by Zurbaran
Francisco de Zurbaran (1598-1664). Spanish painter. Saint Andrew, 1635-1640. Museum of Fine Arts. Budapest, Hungary
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14326749
© Thaliastock / Mary Evans
1635 1640 Andrew Apostle Arts Baroque Bearded Budapest Catholicism Christianism Frame Francisco Hands Hungary Read Tunic Zurbaran
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This stunning 17th-century painting, titled "Saint Andrew," is a masterpiece by the renowned Spanish Baroque artist Francisco de Zurbaran. Created between 1635 and 1640, the artwork is currently housed in the Museum of Fine Arts in Budapest, Hungary. Saint Andrew, an apostle of Jesus Christ, is depicted in the painting as a bearded man of advanced age, dressed in a simple tunic and wearing a large cross around his neck. With his right hand, he holds open a large book, symbolizing the Gospels, while his left hand points upwards, as if in blessing or in a gesture of offering. The saint's gaze is fixed on the heavens, reflecting his deep faith and devotion to God. Zurbaran's use of chiaroscuro, or strong contrasts between light and dark, adds depth and drama to the painting. The intricately detailed folds of Saint Andrew's beard and tunic, as well as the textured cross, are rendered with remarkable precision and realism. The muted colors and somber mood of the painting reflect the solemnity and reverence associated with religious art of the time. Saint Andrew was a fisherman by trade before he met Jesus Christ and became one of his twelve apostles. He is known for his association with fishermen and is often depicted with a cross in the shape of an X, which is said to have been the shape of the cross on which he was crucified. This painting is a testament to the enduring power of religious art to inspire awe and contemplation, and serves as a reminder of the rich cultural heritage of Spain and Europe during the Baroque period.
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