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Cushion : Rose, Marchioness of Headfort by Sir William Orpen

Rose, Marchioness of Headfort by Sir William Orpen



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Rose, Marchioness of Headfort by Sir William Orpen

The Marchioness of Headfort, formerly known to playgoers as Miss Rose (Rosie) Boote of the Gaiety Theatre, London. She married the Marquess in April 1901, and her son became the Earl of Bective. One of a number of stage actresses during the Edwardian era who married into the peerage. Date: 1958

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14264079

© Illustrated London News Ltd/Mary Evans

Aristocracy Aristocrat Aristocrats Aug17 Boote Gaiety Headfort Orpen Rosie Upper


Medium 18" Cushion (46x46cm)

18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This portrait captures the elegant and radiant beauty of Rosie Boote, later known as the Marchioness of Headfort, in 1958. Born as Rose Boote, she rose to fame as an actress during the Edwardian era, gracing the stages of the Gaiety Theatre in London. Her enchanting performances earned her a devoted following, and her allure extended beyond the footlights when she married the Marquess of Headfort in April 1901. The transition from the girl next door to an aristocrat was a remarkable one, and Rosie's story is just one of many from the Edwardian era when stage actresses often married into the peerage. The portrait, painted by renowned Irish artist Sir William Orpen, captures the essence of her newfound status and the grace that came with it. Orpen's masterful brushstrokes bring out the richness of her gown and the delicate intricacy of her jewels, while her expressive eyes and poised demeanor convey a sense of inner strength and confidence. The portrait serves as a testament to Rosie's transformation from a beloved actress to a respected member of the aristocracy. The Marquess and Rosie's son later succeeded to the title of Earl of Bective, further cementing their place in the annals of Irish and British history. This evocative portrait offers a glimpse into the past, transporting us to a time when the worlds of the stage and aristocracy intersected in unexpected ways.

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