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Cushion : Pine grosbeak, Pinicola enucleator

Pine grosbeak, Pinicola enucleator



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Pine grosbeak, Pinicola enucleator

Pine grosbeak, Pinicola enucleator.. Illustration drawn and engraved by Richard Polydore Nodder. Handcolored copperplate engraving from George Shaw and Frederick Nodders The Naturalists Miscellany, London, 1800

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14218729

© Florilegius / Mary Evans

Fredericknodder Georgeshaw Naturalhistory Richardpolydorenodder Thenaturalistsmiscellany


Medium 18" Cushion (46x46cm)

18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This exquisite handcolored copperplate engraving showcases the vibrant plumage of the Pine Grosbeak, Pinicola enucleator. The illustration was meticulously drawn and engraved by the skilled hand of Richard Polydore Nodder and published in George Shaw and Frederick Nodder's renowned work, The Naturalist's Miscellany, in London, 1800. The Pine Grosbeak is a striking bird, with a distinctive red face, yellow wing bars, and a black and white body covered in intricate feather patterns. Originally native to the forests of North America, this bird was a popular subject for naturalists and collectors of the time. The intricate detail and lifelike quality of this engraving are a testament to the artistry and dedication of the Nodder brothers and their collaborators. This beautiful work of art not only captures the physical attributes of the Pine Grosbeak but also provides a glimpse into the natural history of the past. The intricate engraving process involved the transfer of the artist's drawing onto a copper plate, which was then etched with acid to create the lines and details. The plate was then hand-colored, adding an additional layer of artistry and depth to the final product. Today, this engraving serves as an important historical document and a reminder of the rich natural history that has inspired generations of scientists, artists, and nature lovers.

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