Cushion : Saint-Cloud Eugene Atget French 1857 1927 Berenice Abbott

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Saint-Cloud Eugene Atget French 1857 1927 Berenice Abbott

Saint-Cloud; Eugene Atget (French, 1857 - 1927), Berenice Abbott (American, 1898 - 1991); Saint-Cloud, France; negative 1926; print later; Albumen silver print

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18483623

© Liszt Collection

1857 1927 1991 Berenice Abbott Eugène Atget

Medium 18" Cushion (46x46cm)

18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.

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> Arts > Artists > A > Berenice Abbott

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EDITORS COMMENTS
This print captures the essence of Saint-Cloud, a picturesque town in France. The image was taken by renowned French photographer Eugène Atget in 1926 and later printed by American photographer Berenice Abbott. The photograph showcases the beauty of Saint-Cloud with its stunning architecture and serene surroundings. The composition is meticulously framed, highlighting the intricate details of the buildings and their reflection on the calm waters below. The play between light and shadow adds depth to the image, creating a sense of mystery. Atget's expertise in capturing urban landscapes shines through this piece as he effortlessly brings out the charm of Saint-Cloud. His attention to detail is evident in every corner of this photograph, from the delicate textures on each building to the subtle nuances of light that dance across them. Abbott's contribution lies in her skillful printing technique which further enhances Atget's original vision. Her mastery over albumen silver prints ensures that every line, texture, and tonal range is faithfully reproduced. This print serves as a testament to both Atget's talent for documenting historical architecture and Abbott's dedication to preserving his legacy. It invites viewers into a moment frozen in time - an invitation to explore not just a place but also an era long gone.

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