Cushion : Karel Stuart, 1600-49, Prince of Wales. The later King Charles I of England, attributed
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Karel Stuart, 1600-49, Prince of Wales. The later King Charles I of England, attributed
Karel Stuart, 1600-49, Prince of Wales. The later King Charles I of England, attributed to Peter Oliver, 1615 - 1647, Portrait miniature
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12759245
© Quint & Lox Limited
1615 1647 Peter Oliver Prince Wales 1600 49 Artistic Work Attributed Gallery Art Museum Art
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the enigmatic figure of Karel Stuart, the Prince of Wales in 1600-49, who would later become King Charles I of England. The attribution to Peter Oliver, a renowned artist from 1615 to 1647, adds an air of authenticity and prestige to this portrait miniature. The image captures Karel Stuart's regal presence and hints at the power he would wield as king. His piercing gaze exudes confidence and determination while his elegant attire reflects his noble status. The attention to detail in this artistic work is truly remarkable; every brushstroke seems purposeful and deliberate. Displayed in a fine art museum or gallery setting, this artwork demands attention from all who pass by. It serves as a reminder of the rich history that shaped England during Charles I's reign and invites viewers to delve into the complexities of his rule. As part of Arkheia's collection, this print preserves not only the beauty but also the historical significance of Karel Stuart's likeness. It allows us to appreciate both the skillful craftsmanship behind Peter Oliver's creation and its enduring impact on British art history.
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