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Cushion : Flagellation Simon Bening Flemish 1483 1561 Bruges
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Flagellation Simon Bening Flemish 1483 1561 Bruges
The Flagellation; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5, 8 x 4 1, 2 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18495090
© Liszt Collection
1483 1525 1530 1561 168 X Belgium Bruges Flagellation Flemish Gold Leaf Gold Paint Simon Bening Tempera Colors Parchment
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the masterpiece "Flagellation" by Simon Bening, a renowned Flemish artist from Bruges, Belgium. Created between 1525 and 1530, this artwork is an exquisite example of Bening's talent and attention to detail. The painting depicts the biblical scene of Christ's flagellation before his crucifixion. Bening skillfully brings this poignant moment to life through his meticulous use of tempera colors, gold paint, and gold leaf on parchment. The vibrant hues and delicate brushwork add depth and texture to the composition. Measuring at 16.8 x 11.4 cm (6 5/8 x 4 1/2 in. ), this small yet impactful piece captures the viewer's attention with its intricate details. Each stroke reveals Bening's mastery in capturing human emotions as well as architectural elements that surround the central figures. As we admire this print from Liszt Collection, we are transported back in time to witness one of Christianity's most significant events depicted by a true Flemish master. It serves as a reminder of both the artistic brilliance during the Renaissance period and the enduring power of religious narratives throughout history.
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