Cushion : Felix Vallotton, Grands Chasseurs--Le Cerf est pret, Swiss, 1865-1925, 1903, black crayon
Home Decor from Liszt Collection
Felix Vallotton, Grands Chasseurs--Le Cerf est pret, Swiss, 1865-1925, 1903, black crayon
Felix Vallotton, Grands Chasseurs--Le Cerf est pret, Swiss, 1865-1925, 1903, black crayon and brush over graphite on wove paper
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12641774
© Quint Lox Limited
1865 1925 Fe Lix Fe Lix Vallotton Felix Felix Vallotton Swiss Vallotton
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the artwork of Felix Vallotton, a renowned Swiss artist who lived from 1865 to 1925. Created in 1903, this piece titled "Grands Chasseurs--Le Cerf est pret" beautifully captures the essence of hunting. Using black crayon and brush over graphite on wove paper, Vallotton skillfully brings to life a scene that is both dynamic and intriguing. The composition depicts a group of grand hunters preparing for their pursuit. The attention to detail is remarkable as each figure exudes determination and readiness. The use of black crayon adds depth and intensity to the drawing, while the brushwork adds texture and movement. Vallotton's artistic style shines through in this piece, showcasing his ability to capture human emotion with precision. His mastery of light and shadow creates an atmosphere that draws viewers into the scene, making them feel like they are part of this thrilling hunt. This print allows art enthusiasts to appreciate Vallotton's talent up close. It serves as a testament to his contribution to Swiss art history and highlights his ability to create powerful imagery using simple tools such as black crayon and brush
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