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Cushion : Crucifixion Simon Bening Flemish 1483 1561 Bruges
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Crucifixion Simon Bening Flemish 1483 1561 Bruges
The Crucifixion; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5, 8 x 4 1, 2 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18495078
© Liszt Collection
1483 1525 1530 1561 168 X Belgium Bruges Crucifixion Flemish Gold Leaf Gold Paint Simon Bening Tempera Colors Parchment
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the masterpiece "Crucifixion" by Simon Bening, a renowned Flemish artist from Bruges. Created between 1525 and 1530, this artwork is a testament to Bening's exceptional talent and attention to detail. The use of tempera colors, gold paint, and gold leaf on parchment brings an exquisite richness to the composition. Measuring at 16.8 x 11.4 cm (6 5/8 x 4 1/2 in. ), this small yet impactful piece captures the profound moment of Christ's crucifixion with great intensity. Bening skillfully depicts the agony and sacrifice through his meticulous brushwork, evoking deep emotions within viewers. The scene unfolds against a backdrop of dramatic skies that heighten the sense of divine significance. Every element in this composition has been carefully crafted - from the intricate folds of fabric adorning Christ's body to the expressions etched onto each figure's face. Simon Bening's work exemplifies his mastery in illuminating manuscripts during the Renaissance period. This particular print serves as a window into religious art history while also showcasing Bruges' artistic legacy. Whether displayed as part of an art collection or admired individually, this print invites contemplation and appreciation for both its historical context and aesthetic beauty. It stands as a testament to Simon Bening's enduring influence on Flemish artistry and continues to captivate audiences centuries after its creation.
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