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Cushion : Young Woman Holding a Kerria Branch (parody of Ota Dokan), c. 1764 / 65
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Young Woman Holding a Kerria Branch (parody of Ota Dokan), c. 1764 / 65
Young Woman Holding a Kerria Branch (parody of Ota Dokan), c. 1764/65
Heritage Images features heritage image collections
Media ID 24371271
© Heritage Art/Heritage Images
Harunobu Harunobu Suzuki Hosoban Hosoban Mizu E Portraitarts Of Asia Rain Raining Roses Suzuki Harunobu Woodcutcolour Woodblock Print Kerria Parody Satirical
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This 18th-century woodblock print by Suzuki Harunobu, titled "Young Woman Holding a Kerria Branch (parody of Ota Dokan)" transports us to the vibrant world of Edo-period Japan. The young woman stands gracefully outdoors, her delicate figure adorned in an elegant kimono that drapes around her like a flowing river. In her hands, she holds a kerria branch, its golden flowers contrasting beautifully against the grey backdrop of rain-soaked buildings. Harunobu's mastery of color and composition is evident in this artwork. The soft hues and intricate details bring life to every element within the scene - from the subtle shades of red in the roses to the gentle patterning on the woman's kimono. Through his skillful use of woodblock printing techniques, he captures both nature's beauty and human emotion with remarkable precision. This piece also carries a satirical undertone as it parodies Ota Dokan, an influential historical figure from Japanese history. It playfully combines elements from different artistic schools while maintaining Harunobu's signature style known as ukiyo-e or "pictures of the floating world". Displayed at the Art Institute Chicago, this print serves as a testament to Japan's rich artistic heritage and cultural legacy. It invites viewers into an enchanting realm where tradition meets innovation and where even amidst rain showers, beauty blossoms forth like vibrant kerria flowers held delicately by a young woman standing proudly against time itself.
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