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Cushion : St Albans, c1910
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St Albans, c1910
St Albans, c1910. The Abbey. Founded in honour of Englands Proto-martyr, A.D. 796. Straw plaiting. Boots. Shoes. Population, 18, 130. Card from The Counties of England - A Geographical Game. 3rd Series. [Jaques & Son, Ltd. London]
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Media ID 15341881
© The Print Collector / Heritage-Images
Abbey Hertfordshire Norman St Albans St Albans Cathedral St Albans Abbey
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the magnificent St Albans Abbey in the early 20th century. The abbey, founded in honor of England's Proto-martyr in AD 796, stands as a testament to centuries of religious devotion and architectural brilliance. Its grandeur is beautifully captured in this image, highlighting its Norman-inspired design and commanding presence. Surrounded by the picturesque Hertfordshire landscape, St Albans Abbey exudes an air of tranquility and spirituality. The color photograph brings to life every intricate detail of the building's exterior, from its towering spires to its ornate arches. It serves as a reminder of the enduring power and significance of Christianity throughout history. The photo also offers a glimpse into daily life at that time with references to straw plaiting, boots, shoes, and even population statistics - revealing interesting aspects about the community residing near this architectural marvel. This particular print is part of "The Counties of England - A Geographical Game" series by Jaques & Son Ltd. , London. As we admire this remarkable piece from Heritage Images' collection without any commercial intent or mention thereof, let us appreciate not only the beauty captured within these frames but also reflect on how such historical landmarks continue to shape our understanding of culture and religion today.
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