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Cushion : The Oiran Hinazuru of Chojiya Standing upon a Pile of Futon, ca. 1794
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The Oiran Hinazuru of Chojiya Standing upon a Pile of Futon, ca. 1794
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Media ID 23883758
© Heritage Art/Heritage Images
Courtesan Ink And Color On Paper Kitagawa Utamaro Mattress Oiran Utamaro Kitagawa Futon Polychrome Woodblock Print
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Oiran Hinazuru of Chojiya Standing upon a Pile of Futon, ca. 1794
EDITORS COMMENTS
is a captivating polychrome woodblock print by the renowned Japanese artist Kitagawa Utamaro. This exquisite artwork, created during the Edo period in the eighteenth century, showcases the beauty and grace of an oiran - a high-ranking courtesan. In this mesmerizing composition, we see Hinazuru standing elegantly atop a pile of futons, her vibrant attire catching our attention. The intricate details and vivid colors bring to life her luxurious kimono adorned with delicate patterns and layers of fabric that cascade gracefully around her figure. Her traditional hat adds an air of mystique to her presence. Utamaro's skillful use of ink and color on paper captures not only the physical attributes but also the essence and allure of this profession during that era. The woodblock printing technique employed here enhances every fine line and subtle shading, showcasing his mastery as an ukiyo-e artist. This remarkable piece resides in The Metropolitan Museum of Art's collection, serving as a testament to Japan's rich artistic heritage. It offers us a glimpse into the world of oirans - women who were both admired for their beauty and respected for their refined talents. As we admire "The Oiran Hinazuru" we are transported back in time to witness this fascinating occupation through Utamaro's skilled brushstrokes. It reminds us that art has always been an essential
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