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Cushion : L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi

L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi



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L Enfant Trouve: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born wi

L Enfant Trouve:-a Sample of Roman Charity!-or-the Misfortune of Not Being Born with Marks of " the Talents", May 19, 1808

Heritage Images features heritage image collections

Media ID 20570353

© Heritage Art/Heritage Images

Altar Basket Bottom Foundling Funny Gillray Gillray James Government Hannah Hannah Humphrey Humphrey Humphrey Hannah Hypocrisy James Gillray Orphan Priest Silly Talent Wealth Bottoms Hand Tinted Roman Catholicism


Medium 18" Cushion (46x46cm)

18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > G > James Gillray

> Arts > Artists > M > Hans Maler

> Arts > Artists > R > Roman Roman

> Europe > United Kingdom > England > London > Sights > British Museum

> Humour > Children

> Humour > Postcard

> Humour > Related Images


EDITORS COMMENTS
The print titled "L'Enfant Trouvé: -a Sample of Roman Charity!-or-the Misfortune of Not Being Born with Marks of 'the Talents'" captures the essence of 19th-century satire and social commentary. Created by James Gillray, a renowned British artist, this hand-coloured etching offers a humorous yet thought-provoking portrayal. In the image, we see an altar adorned with babies in baskets, representing foundlings or abandoned children. The scene is set against a backdrop of wealth and opulence, symbolizing the hypocrisy within society. The bottom-heavy figures satirically represent the Broad Bottom Ministry, a political group during that time. Gillray's clever use of black humour highlights the absurdity of religious and societal norms prevalent in Britain at that period. The concept explores themes such as poverty, religion (specifically Roman Catholicism), and government corruption. This artwork serves as both entertainment and critique; it challenges viewers to reflect on their own beliefs and values while providing comedic relief through its silly depiction. Its historical significance lies in its ability to shed light on the socio-political climate during the 1800s. Displayed at The Met museum, this piece showcases Gillray's talent for capturing complex ideas through visual satire. It stands as a testament to his contribution to British art heritage.

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