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Cushion : Christ and the Woman Taken in Adultery, c. 1630. Creator: Vaccaro, Andrea (1604-1670)
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Christ and the Woman Taken in Adultery, c. 1630. Creator: Vaccaro, Andrea (1604-1670)
Christ and the Woman Taken in Adultery, c.1630. Found in the Collection of Sinebrychoffin Taidemuseo, Helsinki
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Media ID 19061223
© Fine Art Images/Heritage Images
1630 Adulteress Andrea 1604 1670 Belief Christ And The Woman Taken In Adultery Faith Fallen Woman Good And Evil Helsinki Jesus And The Woman Taken In Adultery Magdalen Magdalene Mary Magdalen Mary Magdalene Pericope Adulterae Pharisees School Of Neaple Sinebrychoffin Taidemuseo Sinner Vaccaro Woman Taken In Adultery
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the painting "Christ and the Woman Taken in Adultery" created by Andrea Vaccaro in approximately 1630. The artwork, now housed in the esteemed Sinebrychoffin Taidemuseo in Helsinki, Finland, is a remarkable example of Baroque artistry. The image depicts a powerful scene from the New Testament where Jesus confronts a group of Pharisees who bring before him a woman caught in adultery. With his divine wisdom and compassion, Christ challenges their hypocrisy by stating, "Let he who is without sin cast the first stone". This poignant moment captures both the fragility of human nature and the boundless mercy offered through faith. Vaccaro's skillful use of oil on canvas brings this biblical narrative to life with vivid colors and intricate details. The fallen woman at the center represents not only her own struggle but also symbolizes humanity's inherent flaws and capacity for redemption. Mary Magdalene, often associated with forgiveness and transformation, may be depicted among those witnessing this transformative encounter. Through this masterpiece, Vaccaro invites viewers to contemplate themes of good versus evil, belief versus doubt, and sin versus salvation. It serves as a timeless reminder that no one is beyond redemption or devoid of imperfections. This print allows us to appreciate Vaccaro's artistic mastery while reflecting on our own beliefs and understanding of Christianity's core principles: love, forgiveness, and acceptance.
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